All posts filed under: Album & Single Reviews

Ida Wenøe: Time Of Ghosts – Gigslutz

The striking, bleakness that opens Ida Wenøe’s ‘Lyla’, the lead single from her new album Time of Ghosts, is breath-taking – a whip of cold wind that sucks the air from your lungs. It is no surprise to learn that Wenøe is Nordic. There is a stripped down, bareness to her sound that seems fitting to the modern perception of what it means to be Nordic. Yet, Wenøe’s dulcet voice offers a warmth and solace despite the melancholy lyrics. Wenøe skilfully combines the sounds of Americana with English folk undertones, all shadowed by the noir-ness of her Nordic background. Time of Ghosts is a journey through a new kind of folk. One that puts to rest the Mumford & Sons pop-edge in favour of a bare honesty. Opening track ‘Changing of the Seasons’ is a soft and pleasant, albeit quite long, introduction to Wenøe’s sound. That particular melding, heavy on the Americana in this instance. Not only sonically but also in its themes; changing seasons, train stations, journeys. Read More…

Laura Marling: Semper Femina – Gigslutz

For months the public has been teased with a variety of singles from Laura Marling’s much anticipated Semper Femina. After mounting anticipation, it has arrived, and shattered every expectation. Written during a self-confessed ‘masculine’ time in Marling’s life, the opening track ‘Soothing’ is just that. It is strikingly dissimilar to the singles released so far, and to Marling’s previous work. It is pared down, with blood-thumping percussion. It whets the appetite for Marling’s introspective work, whose title translates to ‘Always Woman’. Read more.. 

Laura Marling: Wild Fire – Gigslutz

As Laura Marling’s sonic self continues to evolve, she remains true to her greatest strengths. Newest track ‘Wild Fire’ (taken from the upcoming Semper Femina), builds upon what has always made Marling stand out. Her slightly off-kilter intonation highlights her poetic lyricism, as a wholesomeness underpins the melancholy, and a twinkling, jovial piano accompanies her crooning “do you cry sometimes?”. It is this juxtaposition that Marling has always known how to use so well. Read more…